Interference Oil, Spray Paint, Toy Soldiers, & Action Figures on 1996 sheet of hundred dollar bills - 42" x 46" Soon to be Framed (gold colored frame)
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Artist Replete presents a rare collaboration by South Side Chicago artists: Arthur J. Williams Jr and Roger J. Carter. This piece depicts a 1978 mugshot of Huey P. Newton. Titled: "Native Son" the artwork is named after a novel written by Richard Wright. The book tells the story of 20 yr old black youth living in a poor area of Chicago's South Side. The author portrays a systemic corruption amongst the prison system.
MORE ABOUT HUEY P. NEWTON: Under Newton's leadership, the Black Panther Party founded over 60 community support programs (renamed survival programs in 1971) including food banks, medical clinics, sickle cell anemia tests, prison busing for families of inmates, legal advice seminars, clothing banks, housing cooperates, and their own ambulance service. The most famous of these programs was the Free Breakfast For Children program, which fed thousands of impoverished children daily during the early 1970s. Newton also co-founded the Black Panther Newspaper Service which became one of America's most widely distributed African-American newspapers.
In the spring of 2020, South Side Chicago artist Roger J. Carter began forging a new body of work through relentless experimentation. What started as personal exploration soon evolved into a powerful visual language that resonated with audiences far beyond his immediate circle.
Carter is best known for his striking portraits of musicians, activists, and writers, meticulously constructed from toy soldiers. Once seen as simple playthings, the soldiers take on profound new meaning in his work, becoming symbols of struggle, resilience, and collective strength.
Since stepping into the world of three dimensional art, Carter has continued to expand his practice. His current explorations incorporate unexpected materials such as LEGO bricks, playing cards, computer keyboards, and broken records, each medium pushing his vision further and reimagining how everyday objects can tell stories of culture and identity.
"For me I've always been political in my art. I've always done revolutionary characters and rebels. So in that regard, I consider my art as a form of protest.My Art Is My Protest."
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